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Sentences for "bass "
In 1876, the first British trademark was registered - to Bass Pale Ale, a popular brand of beer.
Fresh peaches and cream complement each other well.
&The drummer's rhythm was complemented perfectly by the bass guitar.
As we divide the seven octaves of a piano into Treble and Bass for clearness of thought and writing, so the Hidden Knowledge divides the seven octaves of vibration, or planes, into Spirit and Matter.
We should also expect a constant difference in the length of the cords of a tenor and a bass in the male, and of the contralto and soprano in the female, but such is not the case.
There are no real tenor or bass flutes now, those in use being restricted to the upper part of the scale.
Like the flute, there was a complete family of oboes in the sixteenth and early in the seventeenth century; the little schalmey, the discant schalmey, from which the present oboe is derived; the alto, tenor, pommer, and bass pommers, and the double quint or contrabass pommer.
From the bass and double quint pommers came ultimately the bassoon and contra-bassoon, and from the alto pommer, an obsolete instrument for which Bach wrote, called the oboe di caccia, or hunting oboe, an appellation unexplained, unless it had originally a horn-like tone, and was, as it has been suggested to me by Mr.
The bassoon is the legitimate bass to the oboe and to the wood wind in general.
The compass of the bassoon is from B flat, an octave below that in the bass clef, to B flat in the treble clef, a range of three octaves, produced by normal pressure, as far as the bass clef F.
The F below the bass clef is the true lowest note, the other seven semitones descending to the B flat being obtained by holes and keys in the long joint and bell.
The contra-bassoon is an octave lower than the bassoon, which implies that it should go down to the double B flat, two octaves below that in the bass clef, but it is customary to do without the lowest as well as the highest notes of this instrument.
The compass of this contra-bass lies between D in the double bass octave and the lower F of the treble clef.
There are six sarrusophones, from the sopranino in E flat to the contra-bass in B flat; and to replace the contra-bassoon in the orchestra there is a lower contrabass sarrusophone made in C, the compass of which is from the double bass octave B flat to the higher G in the bass clef.
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